Approaching the track like the original with a sneaky switch of the snare to inspire a little more movement, the remix slows the energy with a deeper bass-line before bringing it full circle for a drop that is as Dillon as you expect, but with Sam Smith’s vocal stylings having just as much of an effect throughout the track as the original. This is yet another little spice to Dillon’s already scorching sets that we’ll all be happy to absorb as the snow blows in.

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